Happy New Year!
We can’t wait to finish the documentary and get it to you soon.
In the meantime, SF Sketchfest is presenting a special evening with Laughter Against the Machine on Thursday, February 2 at the Eureka Theatre in San Francisco. In addition to stand-up, we’ll be showing the first clips from the forthcoming tour documentary that happened because of you, and there will be a Q&A moderated by writer Hiya Swanhuyser. Hope you can come. We released another rough cut video from the tour, of jokes by Nato about our visits to six Occupy Wall Street sites.
Also, we’ve been busy lately, collectively and singly.
Janine had the 3rd installment of her joint venture with Emily Heller: Girl Talk at the SF Punchline. The SF Weekly saluted Janine & Emily for their “commitment to boundary-pushing, brutally funny comedy that’s staunchly populist but could still send a grad student looking for her well-worn copy of Gender Trouble.”
Meanwhile, Kamau wrote a piece in Colorlines with the journalistically objective title, “5 Signs You’re Acting Like a White Guy (Or, How To Not Be Gene Marks)” about the white Forbes columnist who decided to hold forth on what he would do if he were poor and black. According to Marks, black poverty could be solved if only black kids had the good sense to realize they need good grades and to watch TED talks. Kamau’s response, while simultaneously funny and profound in the way we can rely on from Kamau, also offended some white guys who didn’t want to be lumped together with jerks. Or something.
Kamau also wrote about how Louis CK is in the rare position of being both the comedian the mainstream media is most interested in while comedians generally agree that he’s the MAN.
Finally, our 4th Annual New Year’s Eve shows at the Phoenix Theatre in San Francisco were sold out, fun, and raucous as usual. They were also attended by great press coverage by the likes of the SF Examiner, the Bay Citizen, and the East Bay Express. For example, the East Bay Express described “the consistently thought-provoking content and the performers’ keen ability to stay on top of pop culture.”
We do our best.